Sep 1, 2014

German Horror Cinema Studies

Hi! I haven't had time to write reviews for any films that I have read so far, but I have very exciting news to share with you all :) I'm going to be taking a class on German Horror Cinema this first semester of college. Here is the list of films I'll be watching this semester:

  • The Texas Chainsaw Massacre (1974)
  • Das Kabinette des Dr. Caligari (1919)
  • Nosferatu (1920)
  • Nosferatu (1979)
  • Vampyr (1931)
  • Metropolis (1927)
  • Les Yeux sans Visage (1959)
  • La Piel que Habito (2011)
  • Flesh for Frankenstein (1973)
  • Psycho (1960)
  • Peeping Tom (1960)
  • Funny Games (1997)
  • Profondo Rosso (1975)
  • Only Lovers Left Alive (2013)
To say that I'm excited is an understatement. My goal is to write a film review for all of these films.

May 6, 2014

Her (2013)

“Her” is an incredibly interesting investigation into the realm of human emotions and relationships. It makes the viewer question exactly what it means to be in love? Set in a futuristic time and place (though the surroundings don’t seem too dissimilar from the world we live in today), our main character, Theodore, is a letter writer – but not the kind you would imagine. In this setting, people like you and I hire letter writers like Theodore to compose letters to our loved ones. Theodore has a sensitive soul. He has the ability to put himself in a stranger’s shoes and look at the world and feel things from their point of views. But he is melancholy (or “mopey” as is the word that the characters in the film often describe him as). He has recently gotten out of a relationship and doesn’t know how to pick up the fragmented broken pieces of glass that is his heart and start anew. That is, until he acquires an Operating System, who goes by the name of Samantha, and finds himself connecting more with her than he has ever connected with anyone in his life.
The two main actors of the film, Joaquin Phoenix and Scarlett Johansson (though she never actually appears in the movie) both deliver stunning performances that moved me. Though I found myself being able to connect with Theodore in his times of loneliness, confusion and happiness, I found myself being more impressed by Scarlett Johansson’s voice work of Samantha. Her voice has such a distinctive quality that I have always admired (the raspiness and soft lilts). She was able to convey so much emotion with just her voice. The brief pauses that she took or the sudden quivering of her voice made me feel every bit as much emotion as I would feel if her face actually appeared on the screen. And I suppose that this is the exact predicament or message that Spike Jonze was trying to send. What is real and what is not? Are relationships real if they’re made through technological terms? What defines love? If I, and probably the tens of thousands of viewers of the film, was moved and felt a connection with Samantha, doesn’t that make their love real?

The music that flowed through the film was absolutely perfect and the film would not be complete without it. Another aspect I thought was significant to the film was the colors. There was almost a yellowish tint to the entire film that reminded me of faded, old photographs. The film made me feel nostalgic even though it was set in the future. Maybe this was Jonze’s vision with Hoyte Van Hoytema to make the audience long to reach back into a time in their lives where they, too, felt real emotions like Theodore, and by doing so, convince them that love is not confined by the materialistic vision of things.